A loud shade of purple as I’m in the train back home, autumn time! Wintertime in clock hours.

bahakatherine.jpg
With Katherine Albrecht in the Baha Beach Club, where she presented her new findings on cancer and embedded objects in animals and humans, to one of the very first chipped managers. He did not really flinch, but I saw him shift his feet not at ease, at all. Two former Breda students of mine, Jos and Cyril, were with us during the two days of her visit, and we may expect a great movie very soon.
hummer.jpg
In Riga, where Rasa from RIXC and Kristine from K2 make new media education history – and not only in Central Europe- but in the whole of Europe as they are equal partners in the setting up of a new media BA in the department of Pedagogy in Liepaja. I was honored to be at the education conference in 2001 and again very much so 6 years later, to sort of help finetuning an already extremely sophisticated program. Kudos to the Riga and Liepaja crews! Kristine and me decided we need a yellow Hummer as the only and perfect statement against/of/with/embedded inthe current state of pimped up cars the Liepaja boys are puffing about in.
etvoila1.jpg
In Ghent where in my hometown I was invited by Mary Ann from Ietm and Elke to keynote the IETM conference. What a joy to present he arguments I’ve rolled over for so many years to the perfect expert audience. And the seminar I hosted with Sarah Andrew was rated a life changing experience. Here Valentina and Sarah and Cora say: Et voila!

All in all, we could not have tried any more.

“La distruzione della coscienza individuale rappresenta un alta idea di cultura, e’ un’idea alla base della cultura da cui deriva una forma del tutto nuova di civilizzazione. Non sentirsi vivere solo come un individuo e’ la via di fuga da questa perversa forma di capitalismo che io, io chiamo capitalismo della coscienza poiche’ l’anima e’ il bene di tutti.”

in jaromils translation:

The destruction of the individual conscience represents an high idea of culture, it’s a deep idea of the culture from which comes a completely new form of civilization. To not feel to live only as an individual makes it possible to escape from this weird form of capitalism that i, i call capitalism of the conscience as long the soul is everyone’s good.

Antonin Artaud
messages revolutionnaires – 3 juin 1936

So we sing with Bob
“Sweet Amarillo, you stole my pillow…that harmony sounds like gospel! Yes!

Published in:  on October 28, 2007 at 10:24 pm Leave a Comment

Marcus Neustetter : C30 P.J.Simelane Secondary School project by

C30
P.J.Simelane Secondary School project by
David Andrew and Marcus Neustetter

at the Sandton Civic Gallery
on the 24 October 2007, 18:00
as part of Art Bank Joburg’s annual exhibition: Paper cut
also featuring the Phumani Paper project with works by
Bronwen Finlay, Flora More, Maja Marx, Mamothusi Harvey, Mary Wafer and Nirupa Singh
Exhibition closes: 7 November 2007

About C30:

Over the last 4 months David Andrew and Marcus Neustetter have been experimenting with creative interventions in collaboration with learners from the PJ Simelane Secondary School in Dobsonville, Soweto.

Interventions in the school started with the art classroom, tackling surfaces such as the walls, ceiling, floor, notice boards and windows with creative outcomes in the form of painting, masking, pinning-up, measuring, mapping, and layering through an interactive process of participation and then spread to different sites in the school with temporary and permanent experiments.

From the simple act of arranging bricks or folding paper to site research, mapping ideas and asking questions of often taken for granted spaces, the processes have been a dialogue of facilitated expression and simply applying creative activities to the structural and social surfaces of the school.

With the support of Art Bank Joburg (committing to buy resulting work from the project), buy-in by approximately 40 learners, the art teacher Lucas Matjila, the principal of the school, Vera Makhubela, and the assistance of Swedish exchange students, Tova Björkquist, Sofie Lind, Emma Ekelund and Elisabet Jonsved, the project has been able to visualize different sites of the school and make an impact on 5 of these sites. While most of the interventions are temporary and seemingly momentary experiences, the dialogue, response, creative confidence and enthusiasm and resulting personal growth of the participants has been noticeable.

While it has become evident that this is an ongoing process, the artists have aimed to complete their first process of interventions by mid October 2007. The result: temporary and permanent traces of their activities at the school culminating in an Open Day event (5th October) and resulting documentation in the form of photographs and drawings of their activities and a reinterpretation of the experience for the Paper Cut exhibition hosted by Art Bank Joburg at the Sandton Civic Gallery (24 October).

A number of artist’s in schools projects have taken place in the Eastern Cape, Gauteng and the Free State provinces over the last few years and the P.J.Simelane Secondary initiative seeks to extend the case studies emerging from these sites. These collaborative projects have provided evidence of how creativity can become more central to the experiences of teachers, learners and artists in school contexts.

For more information please contact
Marcus Neustetter 082 929 1569 – mn@onair.co.za
David Andrew 082 451 3987 – David.Andrew@wits.ac.za

Published in:  on October 14, 2007 at 5:43 pm Leave a Comment

Through Sarai Reader List: Transitioners

TRANSITIONERS
Bastille Days Collection

An exhibition by Societe Realiste,
October 27 – December 1st, 2007,
at galerie Martine Aboucaya,
5 rue Sainte-Anastase 75003 Paris
www.martineaboucaya.com

Opening Saturday, October 27, 2007, 6:00 to 9:00 pm.

Transitioners is a trend design bureau specialized in political transitions. Transposing the principles of prospective design, generally used by “fashion trend agencies”, to the field of politics, Societe Realiste questions the revolution (transition) as a central category for the contemporary western
society. Transitioners surveys the mutations of the revolution as a form. How a “democratic transition” can be produced? What is the role of design inthe permanent conversion of politics into mythology? How the effect of an event on people can be transformed into a controlled affect?

Fashion trend agencies provide some basic feelings that remain crucial for the good nervous health of the creation industry, like the dynamic variation of the same or the anticipation of the unpredictable. The work of the Transitioners bureau consists in conceiving collections of political
transitions: following the season’s geopolitical zeitgeist, the agency defines the assets to be highlighten in a revolutionary movement in order to maximize its political efficiency and its impact on the media.

At galerie Martine Aboucaya, the Transitioners bureau exhibits for the last time its 2007 collection, entitled Bastille Days, inspired by the French Revolution, just before launching its new collection.

Information: info@martineaboucaya.com

Published in:  on October 12, 2007 at 7:44 am Leave a Comment

James Wallbank says: The Zero Dollar Laptop Manifesto

The Zero Dollar Laptop Manifesto
=======================

The zero dollar laptop is here!

The zero dollar laptop is widely available to individuals in the developed world. It’s also available to businesses, governmental organisations and NGOs. It’s also available in the developing world. Distribution is ramping up.

The zero dollar laptop comes in a variety of specifications.

The current typical specification of the zero dollar laptop in the UK is around 500mHz, with 256mB RAM, a 10 gigabyte hard disk, a network card, a CD-ROM, a USB port and a screen capable of displaying at least 800×600 pixels in 16-bit colour. Many zero dollar laptops are better specified. (Its close cousin, the zero dollar desktop, typically runs at 1000mHz or faster.)

The zero dollar laptop is constantly being upgraded – so by next year its specification will be even more powerful.

The zero dollar laptop is powered with free, open source software. Users can get involved as deeply as they want – the software packages available include easy to use graphical applications, more complex professional applications, and expert level programming languages.

Free software upgrades for the zero dollar laptop are constantly being made available, from a huge variety of software producers.

The zero dollar laptop is not intended simply for multimedia entertainment. Though it can an educational playground, it can also be a genuinely useful production platform.

The zero dollar laptop allows kids to learn and adults to produce. (Only when people are able to use computers to produce their own data does information communication technology become genuinely empowering.)

The zero dollar laptop has already been distributed. (You weren’t told about it at the time of distribution.)

Individuals, businesses and non-profit organisations can all have a say in how the zero dollar laptop is rolled out in their local area. It’s not up to government think-tanks, multinational NGOs or national policy boards.

The zero dollar laptop is available to individuals, education organisations, NGOs and businesses alike.

The carbon footprint of the zero dollar laptop is zero.

You, as an individual, may already own a zero dollar laptop.

What’s it doing? Sitting on your shelf, unused, because you’ve already upgraded?

Your employer or your school may own a large number of zero dollar laptops.

What are they doing? Are they getting recycled responsibly (i.e. destroyed) by the company that supplied them? (That’s often the company that just happens to be supplying the next generation of laptops.)

Perhaps surprisingly, you may not know how to install or operate the zero dollar laptop.

You may never have installed a free, open source operating system. You may never have installed any operating system.

Nowadays it’s quite easy. You can download a full version of the Linux operating system appropriate for the specification of your zero dollar laptop for free. It’s entirely legal.

Many versions of Linux are user-friendly. There are lots of help resources online, and there are likely to be local people who’ll be happy to give you advice.

You may be unaware of lightweight window-managers that use memory more efficiently. You may never have used powerful, compatible free office and productivity software. It may surprise you to discover that free software can be better than software you can buy.

You may be reluctant to invest time, of which you may only have a little, rather than invest money – of which you may have plenty.

Think about the longer-term consequences: buy software and you’ll have to pay again and again. Invest time learning about free software, and you’ll never have to pay for software again.

For the sake of the planet, and for the sake of a fair, just, and cohesive society, isn’t it about time you learned? Then maybe you could teach someone else.

You may ask, “Why isn’t someone doing something to roll out the zero dollar laptop?” In developed-world economies and cultures we’re familiar with centralised solutions. We’re less familiar with localised, decentralised, do-it-yourself solutions. In this case, that “someone” is you.

Decentralised solutions like the zero dollar laptop may not seem to be as efficient as centralised solutions. However, efficiency isn’t everything. Solutions of this character are more robust, more responsive to local circumstances, greener, more flexible, and they encourage local skill development and independence.

You may have to spend unpaid time learning about and implementing the distribution of a few zero dollar laptops in your area. Think about the contacts you’ll make and the skills you’ll learn. Think about the skills you’ll help to develop, the lives you may transform, the fun you’ll have.

The emergence of the zero dollar laptop as a key computing platform for empowering individuals, stimulating creativity, overcoming poverty and enriching our shared culture is entirely feasible without any additional research, design, or manufacture.

We already have all the tools we need – all we need to manufacture is the will to act locally; all we need to replace is the software on our hard drives; all we need to develop is the content of our minds.

— James Wallbank, Sheffield, September 2007

Zero Dollar Laptop Manifesto Notes
=========================

In 1999 I wrote the Lowtech Manifesto [http://lowtech.org/projects/n5m3/]. That small document has been widely circulated, quoted and translated, and seems to have influenced, and encouraged) a large number of people concerned with developments at the cutting edge of digital culture. It’s become clear to me that sometimes, all that’s needed is for someone to state what’s needed and call for action. Think of this methodology as a “WhyTo” rather than a “HowTo”.

At the time I proposed a creative approach to technology re-use. As a result of my decision to re-use technology, I haven’t needed to buy a computer in the last decade. I’ve been involved in the development of a whole series of innovative digital artworks and the establishment of “Access Space”, an open access space for the local community to learn, create and communicate using recycled computers running free, open source software.

At the time of the Lowtech Manifesto, Professor Nicholas Negroponte pointed out (and was quoted in “Wired” magazine) the pressing social need for an accessibly priced computer. He reflected that the industry simply wasn’t interested in engaging in the low profit, “commodity computing” market, and set about campaigning for the production of a $100 laptop.

At the time, laptops cost around $1000 or more – but as we know, the price has been falling. Now new, generic, no-brand computers (and Dell workstations) are available for less than $500.

To avoid the early emergence of commodity computing, in the last few years manufacturers have been encouraging consumers to switch to laptops. Laptops are great for the industry, because they often use fiddly, proprietary spare parts (only supplied by the manufacturer), they’re difficult or impossible to upgrade, and their lifespan is much lower than that of a desktop (if only because people drop them more often!)

However, the industry hasn’t been able to resist the trend for long – in the UK you can sign up for some broadband packages and get a new laptop for nothing – in very much the same way that you can buy a mobile phone contract and get an expensive handset apparently for free.

Although the industry doesn’t like to acknowledge it, the age of commodity computing is now here.

Meanwhile, the Linux free operating system and associated free software packages, have developed hugely. Linux is now very straightforward to use and provides a powerful suite of software which many experts agree is superior to the software you can buy.

Linux is very compatible with other systems, and research conducted on behalf of the UK government suggests it make much more efficient use of a given hardware specification. Effectively, it doubles the useful lifespan of a computer. It’s the key to unlocking the potential of the zero dollar laptop.

So at last, the industry has agreed to assist with Professor Negroponte’s plans, and the $100 laptop has started to be produced.

The $100 laptop has transformed into the “One Laptop Per Child” project. The price point has not been attainable – at the time of writing (September 2007) the price is about $176. There’s also a “Give One Get One” deal – for $399 you buy two, and you get one to keep, while another is shipped to a poor country.

Very sensibly, Professor Negroponte has pointed out that the vision isn’t about laptops – it’s about education. Don’t get me wrong! I’m very positive about some aspects of the vision of the One Laptop Per Child Foundation. Distributing information technology may have hugely positive educational and empowering effects.

However, I’ve got some major issues with the “One Laptop per Child” $100 laptop project.

* It’s ten years too late.
* It’s $176 overpriced.
* The project is limited to laptops for children in poor countries.
* Even if you “Give One Get One”, nobody who’s the wrong side of the digital divide in developed countries gets help.
* Whatever they say, the industry has become involved on terms still hugely orientated around consumerism, not empowerment.
* It’s still a top-down process, by which rich, powerful institutions determine “the solution” and distribute it to poor, less powerful institutions, who distribute it to recipients whose role is essentially passive.

This manifesto talks about a laptop, but it isn’t concerned with technology for its own sake. The issue is whether technology has an educational, empowering effect.

Technology has the power to amplify opportunity – but it also has the capacity to amplify social division: to make the rich richer, and the poor poorer.

For technology to be a force for good, it should genuinely make its users more independent, autonomous, fulfilled and happy.

License
======

The Zero Dollar Laptop Manifesto was written by James Wallbank in September 2007. The manfesto and its associated notes are published under a Creative Commons Attribution-Share Alike 2.0 UK: England & Wales License. [http://creativecommons.org/licenses/by-sa/2.0/uk/]

Published in:  on October 11, 2007 at 9:25 pm Comments (1)

[ o O. [ foam ] .O o. ] & Adrian Hon

Bite Size Lecture with Adrian Hon.
Date: Tue, 09 Oct 2007 17:46:17 +0200
From: FoAM
To: update@fo.am
Subject: [ o O. [ foam ] .O o. ] & Adrian Hon

[foam-events][bsl][adrian hon]

FoAM and the Guild for Reality Integrators and Generators have the
pleasure to invite you to a talk by Adrian Hon, on Alternate Reality
Games (ARG), collaborative fiction, puppetmasters, backstories and other
tools for playful reality generation.

Bite Size Lecture with Adrian Hon.
When: Tuesday 16 October 2007, 19:00 – 21:00
Where: FoAM Lab, Koolmijnenkaai 30-34, B-1080 Brussels, Belgium
Entrance: Free, with complimentary bites, drinks, words and pictures
RSVP (places are limited): info@fo.am

Speaker’s Biography:
Adrian Hon is one of the world’s leading alternate reality game
designers and the Chief Creative Officer at Six to Start. Previously,
Adrian was Director of Play at Mind Candy, where he designed and
produced Perplex City, the world’s first commercially successful ARG.
Perplex City used the web, email, SMS, mobile phones, radio, skywriting,
helicopters and live events in London, New York and San Francisco to
tell a story to hundreds of thousands of people.

Before becoming a games designer, Adrian studied neuroscience at
Cambridge University and Oxford University, and campaigned for the human
exploration of Mars. Adrian is also the founder of the Let’s Change the
Game competition, run in collaboration with Cancer Research UK, which
aims to develop an ARG to raise money for cancer research.

More information:

http://mssv.net/

http://www.perplexcity.com/

Published in:  on October 9, 2007 at 3:51 pm Leave a Comment

Recalling RFID in Amsterdam, in de Balie: je bent er beter maar bij!

A A N K O N D I G I N G
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RECALLING RFID
tweedaags publieksprogramma over RFID en de dingen die gaan komen.

19 & 20 OKTOBER 2007
DE BALIE AMSTERDAM

http://www.debalie.nl/recallingrfid

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recall
1 bring (a fact, event, or situation) back into one’s mind, esp. so as to recount it to others; remember.
2 officially order (someone) to return to a place.

Het wordt gebruikt in reisdocumenten, personeelspassen, huisdieren, kledingzaken, bibliotheken, zwembaden, pretparken en gevangenissen… en toch weten maar weinig Nederlanders wat RFID is. RFID (radio frequency identification) is een manier om via radiogolven objecten, mensen of dieren te kunnen identificeren. Overheden en bedrijfsleven zien RFID als de sleutel tot economische innovatie, terwijl het voor de futurist de volgende fase van digitale connectiviteit markeert. De verwachting is dat de aanwezigheid van RFID de komende jaren enorm zal toenemen, wat gepaard gaat met een geleidelijke verandering van onze beleving van publieke ruimte en privédomein.

Naast grote beloftes brengt RFID gevolgen met zich mee die verder gaan dan veiligheid en individuele privacy. Als het al niet duidelijk was, dan toont RFID ons alsnog dat er in digitale netwerken geen ‘vergeten’ bestaat, geen ‘geheugenverlies’. Dat scenario geeft ruimte aan zowel optimisme als angst. RFID vormt een soort microkosmos waarin een collectieve, ambivalente verhouding tot technologie wordt tentoongespreid. Recalling RFID vestigt de aandacht twee dagen lang op deze ‘onzichtbare’ technologie met een publiek seminar, workshops en een smart opera. Het programma brengt uiteenlopende concepties van RFID – technologie en toepassing – samen en probeert monologen als dialoog te herorganiseren.

vr 19 okt | 10.00-17.30 (deuren open: 09.30)
SEMINAR: RECALLING RFID
Sprekers uit binnen- en buitenland bieden uiteenlopende visies op RFID en toekomstscenario’s van digitale connectiviteit, met o.m. Katherine Albrecht (CASPIAN – Consumers Against Supermarket Privacy Invasion And Numbering, USA), Bart Schermer (privacyjurist en coördinator RFID Platform Nederland), Melanie Rieback (Ubisec researcher, Vrije Universiteit Amsterdam), Stephan Engberg (Priway/Copenhagen Business School), Christian van ‘t Hof (onderzoeker, Rathenau Instituut), Willem Velthoven (vormgever en directeur Mediamatic) en vele anderen. Voertaal: Engels.

za 20 okt | 11.00-17.00
DMI WORKSHOP: MAPPING RFID
Workshop met researchgroep Digital Methods Initiative, n.b. beperkte ruimte voor deelname aan deze workshop. Voertaal: Engels.

za 20 okt | 19.00, 20.30, 22.00
NABAZ’MOB: OPERA FOR 100 SMART RABBITS
Op zaterdagavond drie exclusieve uitvoeringen van een multimediale opera in drie bedrijven. Franse kunstenaars Antoine Schmitt en Jean-Jacques Birgé componeerden een muzikaal en choreografisch spektakel met in de hoofdrol honderd draadloze Nabaztag-konijnen. Nabaz’mob is tegelijk een poëtische metafoor voor een toekomst vol intensieve digitale connectiviteit.

BESTEL OF RESERVEER KAARTEN ONLINE:
www.debalie.nl/recallingrfid

Recalling RFID is een samenwerking tussen De Balie, het Instituut voor Netwerkcultuur en Rob van Kranenburg.

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Published in:  on October 1, 2007 at 4:41 pm Leave a Comment